Archive for the ‘ photography ’ Category
“Works of art are received and valued on different planes. Two polar types stand out:: with one, the accent is on the cult value; with the other, on the exhibition value of the work. . . With the different methods of technical reproduction of a work of art, its fitness for exhibition increased to such [ READ MORE ]
Allan Sekula proposes that ‘every proper portrait has its lurking, objectifying inverse in the files of the police” (5), and thereby equates the idealistic representational mode of photography with the more repressive. Sekula’s “Body and the Archive” is a particularly provocative piece, insofar as it refuses to consider photographic practices in isolation: police photography and [ READ MORE ]
“Apparatuses are… not superhuman but subhuman — bloodless and simplistic simulations of human thought processes which, precisely because they are so rigid, render human decisions superfluous and non-functional” (Flusser 74). In honour of Vilém Flusser, who in his later years refused to purchase any books, instead quoting from memory and the books that were given him [ READ MORE ]
The simple answer to Martha Rosler’s question of “which political battles have been fought and won by someone for someone else” (307) is every one. That is to say, in the political sphere, there is no individual action. This is a structural necessity, insofar as the ‘political sphere’ is the realm of the polis, not [ READ MORE ]
How is digital imagery like the plastic arts? The simplest, and perhaps most flippant response, is that with digital imagery, the characteristic ‘look’ of the plastic arts has been reduced to a set of simple and effective algorithms. The ’styles’ cultivated by so many of history’s great artists are reduced by Adobe Systems Inc. into [ READ MORE ]
In this photo, we see a thickly bearded man in a white turban, wearing a blue robe adorned with leafy green plants and a number of medals. The robe is richly embroidered, cinched with two golden belts, and adorned with medals, epaulets, and a braid. Signifiers of military service, to be sure. The man has [ READ MORE ]
“While a painting or a prose description can never be other than a narrowly selective interpretation, a photograph can be treated as a narrowly selective transparency. But despite the presumption of veracity that gives all photographs authority, interest, seductiveness, the work that photographers do is no generic exception to the usually shady commerce between art [ READ MORE ]